If ever there come upon you the shadow
Of the widow on the moon’s dark window,
Resist the urge it will urge upon you
To put the knife to your own heart
And die –
If you cannot resist it
Channel it into the bowels of the sea –
The shadow will pass away someday
And you will be brighter than ever before.

The woman on the dark side of the moon
Will be out-done by the woman
On the other side of the moon,
The bright side,
Where the light of the sun has ever dwelt
And never died.

There is a woman on the lightside of the moon
And she is coming, and coming soon.
Just hold on, dear, just hold on a while,
A little while longer and soon we’ll smile.
If you go the first mile,
I promise to go with you the extra mile.
Just one more mile, and soon we’ll smile.

– che chidi chukwumerije.



They were not decorations on our wall
We were shadows on theirs
Flickering like candle thoughts
Gathering, falling and dispersing
Like broods of clouds
When we stand across the divide
Looking at each other, it’s hard to tell
Who is real
And who is the figment of whose imagination.

Writer, did you write your book
Or did your book write you?
Artist, did you paint that look
In the eye of the portrait watching you
Or are you just a thought in its mind?
If you look, sometimes you will find
That the musician is the instrument
And the song is the conductor of his movement.

And when an architect erects a building
He is only doing so to house therein his restless feelings.

– Che Chidi Chukwumerije.


His pride is on sale
And his shame
And on his broad frame
You can see him bearing his fate
With a brave face on display

Seventy years of age
All his fears have come of age
His hopes, dreams, plans, crumbled
But now he’s picked himself up again
And sits at the south train station

Easel, paint-brushes, stool, low table
But he holds his head up high
Give him a smile and a coin
And he’ll paint a portrait of you
That will stand the test of time

He: You speak good german
I: Can I write something about you?
He: Yes, but no names please. I
Have a granddaughter in Darmstadt, who
Doesn’t know what I do to survive.

– Che Chidi Chukwumerije.


I SIT upon my couch and wonder what to write about, what to lie about.

My CV. What on earth am I going to write on it? Certainly not the truth! You don’t land the job by telling the truth. You get it by evading the truth. Retaining just enough of it to escape the justified accusation of deliberate falsification.

So I write.

Name: Udo, Jeremiah Anosike. No, that’s too much. Just: Udo, Jeremiah.

That’s close, pretty close, to it. That way they’ll never know who I am. They’ll have, however, a voiceable sound with which to refer to me. An urban approximation, the result of western colonisation and foreign religion. I think I will enjoy this game, of using my own self as my camouflage. I can hardly contain my laughter.

Slowly they begin to see me, to know me. What’s your name? Jeremiah Udo. Call me Jerry, or Miah. Call me Miah. Everyone calls me Miah. Nice to meet you, Miah. Miah? From where? You mean, where I come from or where I’m coming from? – No, stop, wrong reply – Answer: From here. Yes, from here. Good Answer! Here. Where’s here? Who cares. Hey guys, meet Miah. He’s from here too. Cool, nice to meet you. Catch ya later.

I was born, like everyone else, alone. What I like most when I look out the window are green plants, some sprouting from the ground, some growing in pots, some clinging to trees or walls, or hanging down upsideup.

Were a day to pass by without my seeing them, how would I go on? All these shades of green. All this nature. God’s Work.

I once used to know an artist. Actually he was a sculptor, he sculpted with wood. I mean, he was an artist.

A good fellow, brown as wood and green as leaves. A hardy, earthy, earthen character and a depth as soulful as a wishing well.

I wish him well…

We did not grow up together. We met after we had grown up and together we grew back into children.

The second child is the wiser here.

Whenever he gripped with his hands a piece of wood and set his knife to it, his shoulders broad, his eyes brooding, his eyes at peace, I am happy we met.

I write this story for him. If you look carefully, you will see that I write in the second hand and not in the first. The first went with him.
Words, of late, tire me.

Certainly I could have prevented his death, of that I am certain. But his death prevented me.

The little things I cannot write about – the swinging twine, swaying in the evening breeze, hanging down from the banana tree –

I am inside, you are outside. Lie. You are inside. I am outside.

The uncountable leaves, each with a design of its own, differently carved, differently coloured with its own green and changing green.

Are you so many? Are you not one? Are all these you? All these thoughts and thoughts of you. You grow, you branch out, more and more everyday.

Your kindness undid you. A profusion of ever flourishing and emerging leaves, emergent, that was your kindness.

And even as they fade away, they come again.

I remember the reclining chair you carved.

I sat on it and felt the strong fingers of your steady hand encapsule me, gently, gently, I had no fear.

The little wooden combs you carved. They line the window, a prelude to the world without, the world within, brown and green, and deeply through the greenery, an understanding of blue. You combed their hearts all through.

I bring that world into my house, like the second gas equation was dragged into the first, and I arrive at an unfaltering constancy. The world is constant.

Friends float away. They forget the poems they shared and the light they saw, a step away.

They stepped aside.

Sometimes I remember. Sometimes.

I only remember when I remember. Else I know not that I forgot. I’m filled only with a strange sorrow, and I know that something is gone. But what?

It can’t be just you. These final memories.

Why on earth did you join the demonstration? I told you not to, not to believe these promisers of change. But you told me this was our time and this was our calling and all the rest of that jargon which I now wish I had never put into your mind in the first place when we first met. I really should learn to hold my tongue. Well, the price of fuel was slightly brought back down again, finally. The union had a closed door meeting with the government and the ‘industry stakeholders’, and then the strike was called off.

The soldier who pulled the trigger was never identified. People have gone on with their lives. There were a few newspaper articles about your ‘martyrical’ (who comes up with such words?) death, but other news have sort of replaced you now. But don’t worry, I’ll correct that some day, hero. What still hurts me the most is that someone took your watch off your wrist before I got to you. Remember that watch? We bought two of them, an identical pair, at the same time, one for you and one for me. Now it feels like I’m just here, marking time. My hero is gone.

There are rumours that the price of fuel will be raised again before the end of the year. Should I join the protest, wear a t-shirt with your face printed on it? How many soldiers and policemen on the bulleting this time before they hold the next closed door meeting?

Let’s talk of other things, undying things.

Apropos –

Once it rained so heavily that the roofs began to leak. Only then did we realise the limitations of our roof. Who repaired it? Was it you or I?

Sculptor, sculptor, you or I?

I wish I were a sculptor: so I could sculpt all those pieces you described to me, pieces you planned to sculpt, if you had not died.

Who died? I think it was I. Died when I started believing you had died. Who died?

My heart is heavy, I will not lie, I need a break –

I’ve had my break, my big break, but I refused to break. Break even.

I’m not like you. I have to suffer, I know not why. Nobody likes the things I write, it seems. In the second hand. My hand. Not like you. But I know what you would say to me, like always: You write for the deep, so don’t expect accolade on the surface; it would be an insult; and I would have nothing to inspire me. The seriousness in your eyes was my greatest reward, each time you spoke.

They loved your sculptures, they bought them and took them home with them into their homes. Can you imagine that? Do you remember? Into their homes. They will always love you. Never ask me again if I am jealous of you.

The keys are lying on the table. This is the moment. The almighty present. Still I write in the second hand.

Am I denying myself? Am I living a lie? Whose lie? Your lie? You had your lies too. You lied too.

But is the night not the day’s lie? And what a beautiful lie, full of mystery. A deep lie, above all. Because, actually, there is always light in the centre.

The stronger the sound, the louder the echo. Live well, dear friend, live well.

Before the sun tells another lie, before the day gives way to night, before we part let’s meet again, you and I.

The house is cool tonight. Cool and quiet. It’s taken me a long time and a hard struggle to get here, far from my goal. I would have arrived here sooner if I had not listened to her. But you told me to listen to her and she sent me down the wrong lane.

There I lost everything, including myself. So I guess in the end it was worth it. And it’s all because of you. You carved this out too. You were a carver too.

There is no knock on the door tonight. She’s gone away. The phone will not ring, my postbox shall stay empty, I will not receive any email or text message.

All I’ll ever have is what I have. All I want is this: The ability to move on. One day, I know, I’ll find the real one.

When the sun was setting on the picture of the thoughtful woman, you said:

Mm mm mm.

Sweet delight.

Recently I thought of you again. The thought hurt me. I wished you were around. I rarely do so, because it doesn’t matter. But this time it did, this time I did. Wishing it made me stronger. I knew you for less than a year. I knew you.

The way you walk, the way you work. The way you pause and consider the cut, the last cut and the one approaching your hand. You cut.

You carve.

You sculpt. Woodcarver. Woodsculptor. Stonewood. Artist. Art ist Art. Gleichart.

This by the way is a new day. Something like a new page in an unending old book. They call it a new leaf. Green leaf swelling.

The leaves are still new outside. They are not overly loud now. The sun sinks. Night falls. For some reason I suddenly remember the story you told me about your crazy grandfather, or was it greatgrandfather, living alone on some wild hill somewhere in your village. I almost envy him now.

The thought that crossed my mind is almost gone. Yes. The thought of you. But the deepinnerfeelings remain where they always were before they were sounded by an ever returning thought, a comet, it will recur, re-occur. You, my star.

There was a time when I did not know you. There was a time when I could not have known you. Then we met. That day on the street. On the road. The road.

Now I’m struggling on without you. You were my friend. I met you at the end, the sweetest time to meet. The hardest time to part. There is nothing so traumatic as the end. Never meet at the end, nor part ever there too. Whatever you want to do, do it in the beginning; be it meeting or parting, uniting or departing or working together, do it in the beginning if you cannot bear the pain.

But if you can bear the pain, and if you love life like I do, then do it also at the end. Then will it change your life. I love, above all, the end. For there is none.

It was short, our time. Our song. Is this truly the end? Our end of the rainbow.

Your carvings surround me everywhere. The chair on which I sit was carved by you, I call it my couch. How then do I forget you? The table on which I write was carved by you – there is none better – how then could I forget you?

Your style whiles away my loneliness.

Your works sell well. What should I do with the money? I don’t want to squander it on day-to-day survival.

I want to use it for something great. That’s why I’m applying for this job. It’s an oil company, by the way. Yes I know, I can almost hear your horrified voice: Et tu, Brute? But please forgive me. I know it might look like treachery, but I really really need the dough. I want to make my own money. Then I can use yours to do something you always wanted. It has to do with her. She’s okay, really. I just didn’t understand her really.

Don’t laugh, I’m serious.

What on earth should I write on my CV.? I have no idea, I don’t know where to start, it’s all too much. My life feels like an old book, forever unfinished, whose chapters keep on changing, whose pages keep on rewriting and redefining themselves as ever new ones appear. I think I’ll just keep it simple. Very simple. I’ll tell them the name on my birth certificate. I won’t even tell them my name, the one you gave me. I’ll tell them the date on my birth certificate, but I won’t tell them the day I was born, the day we awakened the real in one another, our birthday, my most recent history.

I’ll tell them the schools and institutions I attended, the subjects and courses I did there. But I won’t tell them the things you and I discovered. The real things. I’ll tell them the places I’ve worked. But I won’t tell them the things we worked at. I’ll never tell them all that we worked at. Those are ours alone. You and I.

Yes, I’ll only tell them lies, the world’s global superficial lies. The lies that make up our lives. That’s what I’ll write into my CV. The truth I’ll keep to us. In my first hand.

It will follow me to the grave, and rise one day with me to there where you, hopefully, already are.